The Best That You Can Do by Amina Gautier

The Best That You Can Do: Stories by Amina Gautier

The Loss of All Lost Things by Amina Gautier It is a short story collection that illuminates the beauty that can be found in inconsolable loss. Gautier leads us through terrible reality but leaves us with the promise of hope and redemption. Contest judge, Phong Nguyen had this to say about it: "Literary fiction that grips us and won't let us go is notoriously rare. To offer us complex emotional experience and riveting narrative momentum, and then to leave the reader in contemplation of its sophisticated themes and subtle weave of objective correlatives... that is the stuff of literary greatness, of art that demands to be read in conversation with the canon....Gautier's stories have you by the throat, and they surprise you with their mercy."

Now We Will Be Happy by Amina Gautier Now We Will Be Happy is a prize-winning collection of stories about Afro-Puerto Ricans, U.S.-mainland-born Puerto Ricans, and displaced native Puerto Ricans who are living between spaces while attempting to navigate the unique culture that defines their identity. Amina Gautier's characters deal with the difficulties of bicultural identities in a world that wants them to choose only one. The characters in Now We Will Be Happy are as unpredictable as they are human. A teenage boy leaves home in search of the mother he hasn't seen since childhood; a granddaughter is sent across the ocean to broker peace between her relatives; a widow seeks to die by hurrica≠ a married woman takes a bathtub voyage with her lover; a proprietress who is the glue that binds her neighborhood cannot hold on to her own son; a displaced wife develops a strange addiction to candles.  Crossing boundaries of comfort, culture, language, race, and tradition in unexpected ways, these characters struggle valiantly and doggedly to reconcile their fantasies of happiness with the realities of their existence.

At-Risk by Amina Gautier In Amina Gautier's Brooklyn, some kids make it and some kids don't, but not in simple ways or for stereotypical reasons. Gautier's stories explore the lives of young African Americans who might all be classified as "at-risk," yet who encounter different opportunities and dangers in their particular neighborhoods and schools and who see life through the lens of different family experiences. Gautier's focus is on quiet daily moments, even in extraordinary lives; her characters do not stand as emblems of a subculture but live and breathe as people. In "The Ease of Living," the young teen Jason is sent down south to spend the summer with his grandfather after witnessing the double murder of his two best friends, and he is not happy about it. A season of sneaking into as many movies as possible on one ticket or dunking girls at the pool promises to turn into a summer of shower chairs and the smell of Ben-Gay in the unimaginably backwoods town of Tallahassee. In "Pan Is Dead," two half-siblings watch as the heroin-addicted father of the older one works his way back into their mother's life; in "Dance for Me," a girl on scholarship at a posh Manhattan school teaches white girls to dance in the bathroom in order to be invited to a party. As teenagers in complicated circumstances, each of Gautier's characters is pushed in many directions. To succeed may entail unforgiveable compro-mises, and to follow their desires may lead to catastrophe. Yet within these stories they exist and can be seen as they are, in the moment of choosing.